This sort of thing is why I think historians need to be more active in technical discussions and decision-making about emerging technology. Everything about our current world is different from the premodern world that our ancestors inhabited. The past truly is a foreign country. But we carry fragments of that foreign world with us in our physical selves, in the gestures and other implicit knowledge we teach our kids. We take it for granted that there are aspects of being human which are never written down and which are unknowable unless you experience them.
我的中文學習旅程則是用截然不同的方式開始的。
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《夜王》最港片、也最锋利的部分，在于它用幽默拍退场。它不是用悲情宣告终结，而是用笑声把终结一点点推近。“欢场为表，职场为里。”这种处理方式非常香港。香港人面对压力、困境、时代转折时，常常不是先喊苦，而是先自嘲。自嘲不是轻松，它是不让现实夺走尊严的方式。
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